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Screenings 3: Place Over Time
Friday, October 16 2009 / 17:00 Filmtheater 't Hoogt, Hall 1 “Take some time, take some more, time is passing, the time of your life, the earth rotates, seasons come and go, the machine sorts zeros from ones, as another thousand tiny bursts of phosphorescent light dance to the rhythm of the wind and the tide.” – Chris Welsby This programme brings together a number of works focusing on landscapes, as meditative time capsules in which different events unfold, activating the potential pasts of a place. Whereas the landscapes of narrative cinema are often latent expressionistic theatres, echoing the minds of the human figures within them, these films fully focus the attention on the rhythms of the natural world, from the microscopic to the cosmological. The only signs of human life are the traces of destruction left behind by our urge to move faster across time and space. Virilio argues: “it is no longer God the Father who dies, but the Earth, the Mother of living creatures since the dawn of time. With light and the speed of light, it is the whole of matter that is exterminated”. Cobra Mist Emily Richardson (United Kingdom, 2008, 35mm, 7:00 min) (works) Cobra Mist explores the relationship between the landscape of Orford Ness in Suffolk and the traces of its unusual military history, particularly the experiments in radar and ... Sky Light Chris Welsby (United Kingdom, 1988, 16mm, 26:00 min) (works) Sky Light is a single screen version of the 6-projector installation with the same title. “An idyllic river through a forest, flashes of light and colour threaten ... Observando el Cielo Jeanne Liotta (USA, 2007, 16mm, 19:00 min) (works) “Seven years of celestial field recordings gathered from the chaos of the cosmos and inscribed onto 16mm film from various locations upon this turning tripod Earth. This ... Time and Tide Peter Hutton (USA, 2006, 16mm, 35:00 min, mute) (works) The first section of the film is a reprint of a reel shot by Billy Bitzer in 1903 titled Down the Hudson for Biograph. It chronicles in ... |
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