The spiral of violence in this baroque sketch from the gypsy milieu inevitably leads to the most confrontational final shot of this festival. Jean-Charles Hue has gypsy blood and in his often hard and violent videos he sketches stories and situations from his own environment as seen from the inside. He stays close to the protagonists, closer than you would really want as a viewer. This rawness inevitably leads in the case of There Ain't No Bones to a confrontational finale.