People observed in the street are a frequent subject in Dryden Goodwin’s films, drawings and installations. His video Hold considers the nature of memory, exploring the tension between our desire to hold onto experiences against the inevitability of the passing of time. A recollection of all the people seen through a day, Hold exploits the fact that film is made up of separate frames; it features a new person on practically every frame, or every eighteenth of a second. Although occasionally two or three people are held longer, using consecutive frames to jump back and forth between them, the sound and the mechanism of the film are relentless, no resolution is reached, we continue to move forward.